Entering Monte Carlo’s Casino: Architecture and Tourism in Monaco
DOI:
https://doi.org/10.47611/jsrhs.v14i1.8914Keywords:
Architecture, Monte Carlo, TourismAbstract
The Casino de Monte Carlo, established in 1865, has been integral to Monaco’s development as a luxury tourist destination. This paper explores the architectural significance of the casino’s northern facade, analyzing its use of the Beaux-Arts style, a nineteenth-century design movement known for its opulence and eclecticism. While the southern Opéra de Monte-Carlo, designed by Charles Garnier, fully embodies Beaux-Arts grandeur, the casino’s entrance employs a more understated iteration, blending French sophistication with Mediterranean exoticism. This strategic approach made the casino both inviting and exclusive, appealing to a broad range of tourists.
Through an analysis of late nineteenth- and early twentieth-century travel accounts, this paper examines how visitors perceived the casino’s architectural fusion of familiar French elements and foreign influences. These design choices not only enhanced the casino’s allure but also played a role in shaping Monaco’s hybrid cultural identity as a cosmopolitan hub for leisure and luxury. Ultimately, this study argues that the architectural elements of the Casino de Monte Carlo were key to its success, reinforcing Monaco’s image as a space that balanced elegance, exoticism, and accessibility.
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