The Role of Protest Music in Social Movements and Youth Activism Across Eras
DOI:
https://doi.org/10.47611/jsrhs.v13i4.8176Keywords:
Protest Music, Youth Activism, Musical Elements, Socio-political movements, Music and PoliticsAbstract
Through its powerful lyrics, catchy melodies, and accessible instrumentation, protest music has historically been a medium used to challenge systems of oppression, promote social changes, and unify people behind common causes. This study analyzes the role of protest music in socio-political movements, especially its usage by youth. From the Civil Rights Movement's anthems like "We Shall Overcome" to the Chinese Umbrella Movement's "Raise the Umbrella," protest music has been a pivotal tool for mobilization and solidarity. The structure of protest music, specifically the melodies and other musical elements, makes it a powerful medium to evoke emotions and lasting impressions socially. Across many decades, from folk and rock to hip-hop and reggae, the evolution of protest music consistently shows its adaptability and enduring power. Youth subcultures leveraged music to form resistance movements in these decades. More recently, the digital age has further amplified the reach of music and social media, thus, protest music has spread more rapidly globally, disseminating powerful messages in the Black Lives Matter and Arab Spring movements. In conclusion, protest music, driven by youthful activism and digital tools, continues to be a force for social change, illustrating its resilience and enduring ability to inspire change across different socio-political movements.
Downloads
References or Bibliography
Damodaran, S. (2016, August 05). Protest and Music. Oxford Research Encyclopedia of Politics. Retrieved 6 Feb. 2024, from https://oxfordre.com/politics/view/10.1093/acrefore/9780190228637.001.0001/acrefore-9780190228637-e-81.
Lockard, C. A. (1996). Popular Musics and Politics in Modern Southeast Asia: A Comparative Analysis. Asian Music, 27(2), 149–199. https://doi.org/10.2307/834493
Cheng, C., & Athanasopoulos, G. (2015). Music as Protest in Cold-War Asia: Teresa Teng (Deng Lijun), the Enlightenment for Democracy in the 1980s and a Case of Collective Nostalgia for an Era that Never Existed. Lied Und Populäre Kultur / Song and Popular Culture, 60/61, 41–60. https://www.jstor.org/stable/26538858
Park, S. K. (2019). Approach To Social Semiotic And Music Structure Of The Protest Songs In South Korea: Through The Anthem Of The Political Movement," marching For Our Beloved" (Doctoral dissertation, Institute of Social Sciences).
Manabe, N. (2015). The revolution will not be televised: Protest music after Fukushima. Oxford University Press.
Lee, R. A. (2009). Protest music as alternative media during the Vietnam war era. War and the media: Essays on news reporting, propaganda and popular culture, 24-40.
Lockard, C. (1998). Dance of life: Popular music and politics in Southeast Asia. University of Hawaii Press.
Neuman, D. (2008). Music & politics in the classroom: music, politics and protest. Music and Politics, 2(2).
Box, K., & Aronson, G. (2022). Protest Songs From Indonesia And Australia: A Musicological Comparison. Journal of Urban Society's Arts, 9(1), 48-59.
Huiqi, Q., & Jia, L. (2022). Protest Songs In Philippines: The Voice Of People. Multicultural Education, 8(6).
MacLachlan, H. (2023). Revolutionary Songs from Myanmar: Reconsidering Scholarly Perspectives on Protest Music. Music and Politics, 17(1).
Peddie, I. (Ed.). (2017). The resisting muse: Popular music and social protest. Routledge.
Martinelli, D. (2017). Give peace a chant: popular music, politics and social protest. Springer.
Sadler, O. (2022). Defiant Amplification or Decontextualized Commercialization? Protest Music, TikTok, and Social Movements. Social Media + Society, 8(2). https://doi.org/10.1177/20563051221094769
Rühlig, T. (2017, December 1). “Do you hear the people sing” “Lift your umbrella”? China Perspectives. https://journals.openedition.org/chinaperspectives/7125#citedby
Manabe, N. (2014). Uprising: Music, youth, and protest against the policies of the Abe Shinzō government. The Asia-Pacific Journal: Japan Focus, 12, 32.
Umunç, C., & Ulusal, D. (2020). Protest Music in Youth-Culture Multi Model Analysis of Music. Livre de Lyon.
Bodden, M. (2005). Rap in Indonesian Youth Music of the 1990s: “Globalization,” “Outlaw Genres,” and Social Protest. Asian Music, 36(2), 1–26. http://www.jstor.org/stable/4098514
Frangonikolopoulos, C. A., & Chapsos, I. (2012). Explaining the role and the impact of the social media in the Arab Spring. Global Media Journal: Mediterranean Edition, 7(2).
Obono, K. (2017). Protest music as an instrument for communicating social discontent in Africa.
Jolaosho, O. (2019). Singing politics: Freedom songs and collective protest in post-apartheid South Africa. African Studies Review, 62(2), 6-29.
Lin, T. H. (2011). Mountain songs, Hakka songs, protest songs: a case study of two Hakka singers from Taiwan. Asian Music, 85-122.
Blakemore, E. (2017, June 15). How “This Land Is Your Land” Went From Protest Song to Singalong. JSTOR Daily. https://daily.jstor.org/how-this-land-is-your-land-went-from-protest-song-to-singalong/
Jaeger, M. (2010). Popular Is Not Enough: The Political Voice Of Joan Baez: A Case Study In The Biographical Method. Columbia University Press.
Published
How to Cite
Issue
Section
Copyright (c) 2024 Daniel Woo

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright holder(s) granted JSR a perpetual, non-exclusive license to distriute & display this article.


