The Silent Surgeons of the Art World
An Interview with Yumi Nam: A Day in the Life of a Cultural Conservator
DOI:
https://doi.org/10.47611/jsrhs.v13i3.7389Keywords:
Art History, Art Conservation, Cultural Heritage, Artistic Heritage, Art Museum, Museum JobAbstract
This paper examines the vital role of cultural conservators in preserving Korea’s artistic heritage, focusing on the complex and often underappreciated work these experts undertake. Featuring an exclusive interview with Yumi Nam, a conservator at the Leeum Museum, the study explores the daily routines, challenges, and rewards faced by conservators. It highlights the meticulous processes and scientific principles behind the restoration process, likening conservators to medical professionals who “heal” artworks. Key conservation projects, such as Amitabha’s Sermon, An Jung-geun’s calligraphy, and Park Rehyun’s Woman, demonstrate the practical application of conservation techniques and the philosophical debate between preserving an artwork’s original integrity and updating it for contemporary audience. The paper traces the development of conservation practice in Korea since the 1970s, noting the significant rise in industry support and recognition. It concludes by emphasizing what this discipline involves, the combination of scientific knowledge, artistic skills, and passionate dedication, advocating for increased societal appreciation and support for those who protect our cultural treasures for future generations.
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Ahn, Jung-geun. (1910). Calligraphy by Ahn Jung-Geun (安重根義士 遺墨 - 仁智堂). Leeum Museum. Courtesy of the Leeum Museum.
Park, Rehyun. (1942). Woman. National Museum of Modern and Contemporary Art, Korea, Seoul, Korea. Courtesy of the National Museum of Modern and Contemporary Art, Korea.
Unknown Artist. (17th century). Amitabha's Sermon (阿彌陀說法圖). Joseon Dynasty, color on hemp. Courtesy of the Leeum Museum.
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Copyright (c) 2024 Jihu Kim; Bethany Stallings, Yumi Nam

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